Sabtu, 25 Juni 2011

[Q139.Ebook] PDF Ebook How to Live Together: Novelistic Simulations of Some Everyday Spaces (European Perspectives: A Series in Social Thought and Cultural Critic

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In The Preparation of the Novel, a collection of lectures delivered at a defining moment in Roland Barthes's career (and completed just weeks before his death), the critic spoke of his struggle to discover a different way of writing and a new approach to life. The Neutral preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both of these achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes's pedagogical methods and critical worldview.

In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: �mile Zola's Pot-Bouille, set in a Parisian apartment building; Thomas Mann's The Magic Mountain, which takes place in a sanatorium; Andr� Gide's La S�questr�e de Poitiers, based on the true story of a woman confined to her bedroom; Daniel Defoe's Robinson Crusoe, about a castaway on a remote island; and Pallidius's Lausiac History, detailing the ascetic lives of the desert fathers.

As with his previous lecture books, How to Live Together exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him―or for him―and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, How to Live Together orients English-speaking readers to the full power of Barthes's intellectual adventures.

  • Sales Rank: #933395 in Books
  • Published on: 2012-12-18
  • Original language: French
  • Number of items: 1
  • Dimensions: 9.90" h x .80" w x 7.00" l, 1.15 pounds
  • Binding: Paperback
  • 256 pages

Review

This is Roland Barthes at his inventive and idiosyncratic best: a brilliant and suggestive reader, both of literary texts and the social, psychic, and affective spaces of everyday life.

(Diana Knight, University of Nottingham)

Review

Nothing could be less professorial than Roland Barthes' first course at the Coll�ge de France: his fantasmatic method yields a daringly idiosyncratic exploration of 'idiorrhythmy,' the spaces and rhythms of life, and ways of balancing community and individuality, from medieval anchorite monks and Robinson Crusoe to the sanatorium of The Magic Mountain.

(Jonathan Culler, Cornell University)

Review

Roland Barthes repeatedly compared teaching to play, reading to eros, writing to seduction. His voice became more and more personal, more full of grain, as he called it; his intellectual art more openly a performance, like that of the other great anti-systematizers.... All of Barthes's work is an exploration of the histrionic or lucidic; in many ingenious modes, a plea for savor, for a festive (rather than dogmatic or credulous) relation to ideas. For Barthes, the point is to make us bold, agile, subtle, intelligent, detached. And to give pleasure.

(Susan Sontag)

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Rabu, 22 Juni 2011

[P666.Ebook] Download Molecular Engineering Thermodynamics (Cambridge Series in Chemical Engineering), by Juan J. de Pablo, Jay D. Schieber

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Molecular Engineering Thermodynamics (Cambridge Series in Chemical Engineering), by Juan J. de Pablo, Jay D. Schieber

Building up gradually from first principles, this unique introduction to modern thermodynamics integrates classical, statistical and molecular approaches, and is especially designed to support students studying chemical and biochemical engineering. In addition to covering traditional problems in engineering thermodynamics in the context of biology and materials chemistry, students are also introduced to the thermodynamics of DNA, proteins, polymers and surfaces. It includes over 80 detailed worked examples, covering a broad range of scenarios such as fuel cell efficiency, DNA/protein binding, semiconductor manufacturing, and polymer foaming, emphasising the practical real-world applications of thermodynamic principles; more than 300 carefully tailored homework problems, designed to stretch and extend students' understanding of key topics, accompanied by an online solution manual for instructors; and all the necessary mathematical background, plus resources summarising commonly used symbols, useful equations of state, microscopic balances for open systems, and links to useful online tools and datasets.

  • Sales Rank: #331087 in Books
  • Published on: 2014-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.06" w x 7.44" l, .0 pounds
  • Binding: Hardcover
  • 501 pages

Review
"This is a book to use many times. First as a textbook that explains the principles of thermodynamics and statistical mechanics with rigour and clarity. The importance and the contemporary relevance of the subject matter is illustrated in many examples from physics, chemical engineering and biology - and it is to these examples that future readers are likely to return time and again. They illustrate how thermodynamics can be used as a framework to organize and quantify our understanding of an amazing variety of physical phenomena. A textbook to hold on to."
Daan Frenkel, University of Cambridge

"[This book] ... is both sensible and innovative. [De Pablo and Schieber] use a postulational approach to present the basic ideas of the subject, which, I believe, is the best way to teach equilibrium thermodynamics, since it is clear and concise. Their book is also important because they show how thermodynamics can be used to attack problems involving chemical reaction equilibria, properties of polymer solutions and blends, and surfaces and interfaces. They also make it clear how thermodynamics may be applied to engineering flow systems (which are not at equilibrium). A chapter on statistical mechanics shows how molecular ideas fit into the subject of thermodynamics."
R. Byron Bird, University of Wisconsin, Madison

About the Author
Juan J. de Pablo is the Liew Family Professor at the Institute for Molecular Engineering, University of Chicago, and a former Director of the Materials Science and Engineering Center on Structured Interfaces, University of Wisconsin, Madison. He has won several teaching awards, been awarded a Presidential Early Career Award in Science and Engineering from the NSF and is a Fellow of the APS and AAAS.

Jay D. Schieber is Professor of Chemical Engineering in the Department of Chemical and Biological Engineering and the Department of Physics, and Director of the Center for Molecular Study of Condensed Soft Matter, at the Illinois Institute of Technology. He has been a visiting professor at universities in both Europe and Asia, holds numerous teaching awards, and was the 2004 Hougen Scholar at the University of Wisconsin, Madison.

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0 of 0 people found the following review helpful.
Four Stars
By David Langford
Multicomponent Thermodynamics here I come!

0 of 0 people found the following review helpful.
Five Stars
By Jiahao Rong
Pretty useful

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Senin, 13 Juni 2011

[N909.Ebook] Download Contemporary Music Theory - Level One: A Complete Harmony and Theory Method for the Pop and Jazz Musician, by Mark Harrison

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(Piano). The Music Theory series is designed from the ground-up to explain the terminology and musical structures needed for modern applications. Level One is an introductory course which covers music notation, key signatures, basic scales, intervals, modes, diatonic relationships and 3-and 4-part chords. Level Two is an intermediate-level course covering larger chord forms, "definitive" chords in major and minor keys, substitutions, analysis of key centers in tunes, "upper structure" chords, voiceleading, and pentatonic and blues scale applications. Both levels include reference appendices, a complete glossary of terms, and hundreds of written theory exercises with answers.

  • Sales Rank: #537791 in Books
  • Brand: HAL LEONARD
  • Model: 220014
  • Published on: 1999-01-01
  • Released on: 1999-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .73" w x 9.00" l, 2.25 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Instrumentation - Guitar

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great intro to Music Theory book
By sean galloway
I'm self learning music theory to better understand what I'm playing on the piano. It seems like this book is written for a 1 quarter long music theory class. The way I've been using it is:
* i read through the new chapter over the weekend
* I drill the new chapter ideas with Music Theory Pro on my iPad; this is a great tool. It lets one select the specific areas to drill on and asks a number of random questions. Once I'm getting 100% on these in a fairly quick time, I use the questions at the end of the chapter as a "test" (I usually take this on the following Saturday.)

I had previously taken a 1st quarter music theory class at a local community college, but did not learn nearly as much as I did with this book. I'm currently working through book 2 in the series.

0 of 0 people found the following review helpful.
My purpose in buying the book was to become better at improving and to understand the theory behind the ...
By T'ai Chi Lady
This book has a lot of terminology and is full of music theory background. My purpose in buying the book was to become better at improving and to understand the theory behind the music. This book did not help much with actually improvising but book 2 did and I'm sure this background material was necessary. I really did like the exercises with answers at the end of each chapter.

0 of 0 people found the following review helpful.
thank you for a chance to learn!
By rhonda f.
I believe after ALL these years I am finally going to learn and understand music. Mark Harrison makes you do the work in such a way you have no choice but to learn. I have only completed a few chapters but am very excited to complete all three levels in his series. I really believe I'll be able to "play" and not just memorize a song.

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Minggu, 12 Juni 2011

[R420.Ebook] Free PDF BGP: Building Reliable Networks with the Border Gateway Protocol

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  • Sales Rank: #10156730 in Books
  • Binding: Paperback

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Sabtu, 11 Juni 2011

[L256.Ebook] Ebook Download An Illustrated Atlas of the Skeletal Muscles, 3rd Edition, by Bradley S. Bowden

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An Illustrated Atlas of the Skeletal Muscles, 3rd Edition, by Bradley S. Bowden



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An Illustrated Atlas of the Skeletal Muscles, 3rd Edition, by Bradley S. Bowden

An Illustrated Atlas of the Skeletal Muscles , Third Edition is designed as a functional reference, supplement, and study guide for students and health professionals with a broad diversity of interests in the normal structure and function of skeletal-muscular systems. 3-hole drilled.

  • Sales Rank: #658708 in Books
  • Brand: UNKNO
  • Published on: 2010-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 9.00" w x 10.90" l, 1.85 pounds
  • Binding: Ring-bound
  • 340 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great study tool!
By willis
I bought this book because my professor has several copies that she lets us use during class time when we are studying models and I found it a really helpful tool. Each page is dedicated to a single muscles and it concisely states the origin and insertion points of the muscle and the function of the muscle. It also contains some skeleton drawings with anatomical landmarks labeled and some joint information. It also has functional muscle groups (Dorseflexors, Hip flexors, Knee extensors, etc.) and nerve innervations in relation to the muscles. One reason I really loved this book is because the pictures of each muscles are large and detailed and you don't have to guess about where the muscle is going and the descriptions are detailed and helpful, but also concise, so there are not a lot of words on a page.

The only thing I was disappointed about was the fact that it only came in loose leaf. I looked elsewhere for it in a bound form, but it was very expensive. I will probably go get it bound myself because it's such a great book I want it to last for a long time and I worry that the pages will rip easily in a three hole punch binder. Overall, this book is a great study tool and I imagine it will come in handy over the years as I find the need to refresh my knowledge of the skeletal muscles.

1 of 1 people found the following review helpful.
Saving this for later classes
By K. Mayo
I love this atlas that was required for lab class. Not only does it show individual muscles, but also a later chapter shows them grouped (for example leg extensors muscles). The atlas has origin, insertions, innervation, and actions for each muscles. There are also chapters on skeletal structures as well as difference with children. This is very basic, but a great reference for my later classes when I do motor development and strength/condition courses for exercise physiology.

1 of 1 people found the following review helpful.
Excellent book for MTs, PTS
By JS
This book outlines all the muscles in the body as well as action, origin and insertion and where major trigger points can be found. It is a valuable resource book for any professional who want to take the guess work out of where a trigger point may be in any given muscle. Highly useful for any PT or MT who uses positional release to alleviate trigger points.

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Selasa, 07 Juni 2011

[X180.Ebook] Ebook Download Cognitive Linguistics (Cambridge Textbooks in Linguistics), by William Croft, D. Alan Cruse

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Cognitive Linguistics (Cambridge Textbooks in Linguistics), by William Croft, D. Alan Cruse

Cognitive Linguistics (Cambridge Textbooks in Linguistics), by William Croft, D. Alan Cruse



Cognitive Linguistics (Cambridge Textbooks in Linguistics), by William Croft, D. Alan Cruse

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Cognitive Linguistics (Cambridge Textbooks in Linguistics), by William Croft, D. Alan Cruse

Clearly organized and written, this textbook provides a useful introduction to the relationship between language and cognitive processing in the human brain. It covers the topics likely to be encountered in a course or seminar, and provides a synthesis of study and research in a fast-growing field of linguistics. The much-needed introduction will be welcomed by undergraduates and graduates in linguistics and cognitive science.

  • Sales Rank: #1543953 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2004-02-23
  • Released on: 2004-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .79" w x 5.98" l, 1.31 pounds
  • Binding: Paperback
  • 374 pages
Features
  • Used Book in Good Condition

About the Author
D. Alan Cruse is Senior Lecturer in the School of English and Linguistics, University of Manchester.

William Croft is Professor of Linguistics at the University of Manchester.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Definitely more fun than generative grammar
By Svantevit
Cognitive linguistics is one of the major theoretical approaches in linguistics. It is relatively new, and partly grew out of a response to two older approaches, generative grammar and truth-conditional semantics. This book is an introduction to this field and in it the authors defend three basic tenets of their philosophy. The first principle is aimed at generative grammar: language representation and processing is not a separate module in the mind, but is fundamentally similar to other general cognitive phenomena.

The second principle is aimed at truth-conditional semantics: meaning in language is conceptual, and cannot satisfactorily be accounted for in terms of situations meeting truth conditions.

The third principle is aimed at both of the former, which seek to maximise abstraction, and claims that language knowledge is ultimately based in experience.

A result of these three theses has been a greater openness to other academic disciplines, in particular cognitive psychology, from which it has adapted models concerning attention, memory, categorising and other cognitive abilities.

9 of 15 people found the following review helpful.
GOOD BOOKS
By Andre L. Souza
One of the most complete introduction to Cognitive Linguistics. It can be easily used a "textbook" for an introductory course on Cognitive Linguistics since it covers from basic notions (frames, domains, schemas, etc) to more complex agendas such as Construction Grammar. It is worth purchasing it!

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Minggu, 05 Juni 2011

[X268.Ebook] Fee Download Unhooked: How to Quit Anything, by Susan Shapiro, Frederick Woolverton

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Unhooked: How to Quit Anything, by Susan Shapiro, Frederick Woolverton

Is smoking, alcohol, drugs, food, gambling, the Internet, or sex holding you back from living a full life?
We're all addicted to something--but when the crutch gets in the way of living a happy and productive life, it must stop. Over the last twenty-five years, renowned addiction therapist Dr. Fred Woolverton has used his dynamic, empathetic approach to help thousands of addicts achieve long-term recovery--including himself and his coauthor Susan Shapiro, whom he helped quit smoking and drinking and find success in both love and her career. �Dr. Woolverton views the external habit as less important than the chaos and fear underlying the addiction, which we use to regulate our feelings. The solution, he has found, is easier than we think.
Unhooked: How to Quit Anything �is a smart, readable, and actionable guide to conquering any addictive habit. Using real patient examples as well as research and his own experience, Dr. Woolverton shows us how to thrive without self-medicating. His approach is an unorthodox blend of straight forward changes to behavior and open and honest conversation with another person. His specific instructions do not require an expensive therapist, rehab, 12-step program, or a higher power (but he does make readers aware of those viable options). Let Dr. Woolverton help you kick your addiction and move on with your life today!

  • Sales Rank: #566449 in Books
  • Published on: 2012
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.60" w x 5.50" l, .67 pounds
  • Binding: Paperback
  • 224 pages

Review
“Doctor and former patient join forces in this guide to kicking addiction, from heroin to shopping. Woolverton, founder and director of the Village Institute for Psychotherapy, has worked with addicts for 25 years. Even as a successful and self-aware professional, it was when he quit smoking that he gained crucial insight: “I had to let myself suffer, figure out where it was coming from, and figure out what that pain was trying to tell me.” The importance of taking those steps in that order is emphasized throughout; Woolverton bolsters his argument by noting that’s why 12-step programs work. Addicts “need to be told to stop right now or they might die”; afterward, self-exploration supports lasting recovery. Former patient and coauthor Shapiro can attest to this: 10 years ago, Woolverton helped her quit alcohol, marijuana, and cigarettes. She’s since discovered a passion for writing and published seven books. Her example and other case studies illustrate how Woolverton’s approach has worked for real people—and Woolverton’s willingness to share his own personal struggles add authenticity. Those stories and their positive message, combined with the authors’ concrete steps for identifying destructive behaviors and seeking help, make for a valuable, hopeful read.” (Publishers Weekly)

About the Author
Susan Shapiro became addicted to her shrink—Dr. Woolverton—when he helped her quit twenty-seven-year smoking and drinking habits and start writing successfully. Her work has appeared in the New York Times, Washington Post, Los Angeles Times, Newsweek, and�People, and on Salon.com. She is the author of seven books, including Five Men Who Broke My Heart, Speed Shrinking (currently optioned for films), and the memoir, Lighting Up, about her successful addiction therapy. She is a journalism professor who teaches the popular “instant gratification takes too long” writing method at the New School, New York University, and in private workshops and seminars. Visit her at www.susanshapiro.net.

Dr. Frederick Woolverton is a clinical psychologist who has specialized in treating addiction patients for the past twenty-five years. He is the founder and director of the acclaimed Village Institute for Psychotherapy in New York City and in Fayetteville, Arkansas. He was the former clinical director of the Baldwin Council Against Drug Abuse, has published numerous papers on substance abuse, and has created nationally adopted courses on the treatment of addictive disorders. His works have recently appeared in the New York Times and Psychology Today, and on AOL. Visit him at www.villageinstitute.com.

Most helpful customer reviews

24 of 25 people found the following review helpful.
Worth hooking into
By Deb
If addiction affects your life, or that of someone close to you, _Unhooked_is a great resource to hook into. With its captivating case studies, the book reads like a novel; with its clinical rationales, insights, and guidelines, it informs like a documentary.

The author--a clinical psychologist and a recovered addict himself--presents a coherent synopsis of the factors underlying addictions and the approaches most effective in treating them. Reading through the book, I was continually struck by how well the author conveyed this wealth of information. Here's just a small sampling demonstrating his ability to effectively communicate overarching principles of addiction etiology and treatment:

Addictions are more about avoiding pain than about seeking pleasure:
***Often addictions bring no joy or amusement to the user whatsoever. Instead they take away intolerable pain, depression, and anxiety, and replace it with a numbness, or uneasy equilibrium that make mere survival seem possible. Substances often function as self-medication for an addict's usually undiagnosed distress. (p.63)
***Substances succeed in self-medicating only for short periods of time. A common misconception about addicts is that they are hedonistic pleasure seekers. This is not the case. Most addicts do not use to seek pleasure. They are people out to avoid terrible pain. They use not for fun, but often just to feel okay and get through the day. (p.113)

Substances serve as human stand-ins:
***Addicts often have an infantile need for the attention and safety they never felt from their parents. They have turned to their substances as a stand-in for soothing. So when they quit a substance dependency, they revert back to the age they were when they started using. A young and palpable hunger for love comes out. (pp.88-89)
***Many addicts were disappointed by adults early on and thus had no confidence that they were being protected. Since their own internal voices failed to reassure them or make them feel secure, they turned to substances to manage bad feelings. (p. 59)
***Many people with substance problems feel empty because they have not been nurtured or fed well at home. They yearn to feel love and cared for. Deep down, that's what they're really after. (p.82)
It's a paradox not uncommon to addicts who crave closeness but often give up on people in favor of substances, which are less likely to cause disappointment and are much easier to control. (p.121)

Addictions become barricades:
***Addictions inhibit emotional intensity, artistic urges, and love. They act as blockades, often keeping users from being deeply involved with the people they care about or from becoming as powerfully creative and successful as they could otherwise be. (p.107)
***[Addicts] artificially soothe themselves with a quick hit while stunting their long-term emotional growth and success. They miss opportunities that could lead to expanding experience, understanding, and greater intimacy with others in their world. (p.104)

What ultimately heals:
***Most addicts use substances because they don't want to suffer and hope to avoid feelings of anger, sorrow, pain and discomfort...Living well, even suffering well, are more attainable goals than being happy. (p. 109)
***Along with external changes, it is also essential to get to the inner roots of a substance problem. To stop it, you have to figure out what hurts so much that makes someone need to self-medicate many times daily, often for decades. (p.204)
***A large part of all addicts' recovery involves feeling intense sadness...They have to confront a huge empty space inside. (p.207)
***Once a specific addiction has ceased, if you don't deal directly with the underlying emotional problems that caused it, you'll simply switch addictions. (pp.147-148)
***The point of addiction therapy or AA is to give addicts the language and skills to unravel the rage and confusion brewing beneath their bad habits. (p.206)
***[Addicts] eventually have to transfer [their substance dependency] onto a human being that can be depended on. (p. 206)
***What hurts people most are secrets and lies, and what finally heals is honesty. One has to find a way to live *with* the truth, not fight against it. (p.110)
In order to get and stay happy and healthy, it is necessary to lead the least secretive life that one can. (p. 206)
***You have to start taking care of yourself the way you wish someone else would take care of you. (p. 118)

_Unhooked_ is both a great read and a great resource. It's even a bit difficult to put down at times--quite appropriate for a book on addictions!

17 of 17 people found the following review helpful.
A Recovery Classic with Real Clout
By jerelle
If Amy Winehouse and Jimi Hendrix had read Unhooked, they'd likely be with us today. Both authors of this book are intimate with the terror of addiction and the triumph of recovery, so you trust them immediately. Dr. Wooleverton, a former cigarette addict, is the eminent substance abuse shrink who helped author/professor Shapiro quit her 27-year, two-pack a day habit.

Unhooked delivers poignant tales of real people who've recovered from fierce addictions to everything from drugs and sex to tattoos and Facebook. Shapiro is candid about her myriad former crutches: dope, Diet Coke, shopping, shrinks, booze, gum, pills, and cupcakes. And many of the examples recounted here are extreme enough to make your own horrors feel conquerable.

The core theme--that all addictions are coping mechanisms for deeper psychic issues--is deftly documented. And the periodic self-quizzes are effective in helping us learn why we self-medicate. Unhooked's tight, lively writing; its solid, valuable advice; and its powerful, mesmerizing case studies had me hooked throughout.

25 of 27 people found the following review helpful.
Not a fan
By Not a Fan
I read this book because Susan Shaprio was the co-author. I was pretty disappointed. I had bought this book thinking it was more a self-help/reflection type of book. I found this book to be more about the author's case studies and personal achievements with his career and patients, rather than enlightening or inspiring on a personal level. Disappointed.

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Sabtu, 04 Juni 2011

[Q638.Ebook] Ebook Download Flannery O'Connor: The Cartoons, by Flannery O'Connor

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Flannery O'Connor: The Cartoons, by Flannery O'Connor

Before she became a literary legend, she wanted to be a cartoonist.

Flannery O’Connor was among the greatest American writers of the second half of the 20th century; she was a writer in the Southern tradition of Eudora Welty, William Faulkner, and Carson McCullers, who wrote such classic novels and short stories as Wise Blood, The Violent Bear It Away, and “A Good Man is Hard to Find.” She is perhaps as well known for her tantalizing brand of Southern Gothic humor as she is for her Catholicism. That these tendencies should be so happily married in her fiction is no longer a surprise. The real surprise is learning that this much beloved icon of American literature did not set out to be a fiction writer, but a cartoonist. This seems to be the last well-kept secret of her creative life.

Flannery O’Connor: The Cartoons, the first book devoted to the author’s work in the visual arts, emphasizes O’Connor’s most prolific period as a cartoonist, drawing for her high school and college publications in the early 1940s. While many of these images lampoon student life and the impact of World War II on the home front, something much more is happening. Her cartoons are a creative threshing floor for experimenting and trying out techniques that are deployed later with such great success in her fiction.

O’Connor learns how to set up and carry a joke visually, how to write a good one-liner and set it off against a background of complex visual narration. She develops and asserts her taste for a stock set of character types, attitudes, situations, exaggerations, and grotesques, and she learns how to present them not to distort the truth, but to expose her vision of it.

She worked in both pen & ink and linoleum cuts, and her rough-hewn technique combined with her acidic observations to form a visual precursor to her prose. Fantagraphics is honored to bring the early cartoons of this American literary treasure to a 21st century readership.

For an audience resistant to your views, O’Connor once wrote, “draw large and startling figures.” In her fiction, as in her cartoons, these shocks to the system never come without a laugh. 120 pages of full-color comics

  • Sales Rank: #775026 in Books
  • Published on: 2012-07-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x .80" w x 10.40" l, 1.70 pounds
  • Binding: Hardcover
  • 144 pages

Review
“She was a master of Southern Gothic literature... But in the early ‘40s, Flannery O’Connor drew raw and biting comics, which are now collected in Flannery O’Connor:The Cartoons. Mostly tackling school and propriety, they’re a pitch�-black hoot.” (Culture)

“The images – rendered in black�-and�-white in a stylistically wobbly hand – demonstrate the thinly veiled dark humor and snappy dialogue O’Connor would come to perfect in her short stories. She was often the butt of her own jokes: the none�-too�-perfect girl. . . An engrossing and entertaining look at the blossoming talents of one of literature’s great iconoclasts.” (Under the Radar)

About the Author
Flannery O'Connor was born in 1925 and died in 1964 after spending her life in Georgia.

Barry Moser (born 1940) is a renowned artist, most famous as a printmaker and illustrator of numerous works of literature, including Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking- Glass, The Bible and Moby-Dick. He is a Professor in Residence and Printer to the College at Smith College. His works have been displayed in such places as the British Museum, the Metropolitan Museum, Harvard, and the Library of Congress. He lives in Western Massachusetts.

An independent scholar specializing in the literature of the American South, Kelly Gerald holds B.S., M.A., and Ph.D. degrees in English as well as a second Master’s degree in philosophy and religion. Her previous publications include work on Flannery O’Connor, Eudora Welty, William Faulkner, and Cormac McCarthy. Kelly works as senior writer-editor and director of media relations for the Phi Beta Kappa Society in Washington, D.C. and part-time as an Associate Professor of English for University of Maryland University College.

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10 of 10 people found the following review helpful.
Flannery O'Connor: The Cartoons
By Daniel Elkin
As a lover of American literature, for me the name Flannery O'Connor evokes the thick voice of the South as it used to sweat all over the more grotesque aspects of the American Dream. O'Connor's use of language could both embrace and destroy in the same sentence. Her novel Wise Blood defined a certain gothic sensibility for me, and it continues to be a touchstone for comparison for any new thing I read that affects even the slightest of drawls.

Needless to say, when I heard that Fantagraphics had published Flannery O'Connor: The Cartoons, my upper lip moistened slightly with excitement. One of my favorite American authors augmenting her craft with her visual sensibilities? It seemed like a no-brainer, a must-have, a need-now. What I got in the package of Flannery O'Connor: The Cartoons, though, was a conundrum.

This book complies cartoons that O'Connor created in the 1940s for the various publications from the high school and college she attended. Apparently, O'Connor's original intent was to pursue cartooning (then journalism) as a full-time career, but was diverted from this path when she nestled into the warm womb of the Iowa Writer's Workshop where she gestated and was reborn a dangerous writer. The cartoons contained in this collection are single panel commentary pieces about wartime campus life and a seemingly cavalier attitude toward the institutions of education. For the cartoons in this collection, O'Connor worked almost exclusively by cutting out her images in linoleum, which was then covered in ink and stamped on the paper.

The artwork is rough, rudimentary, stripped down, static and heavy. As a print, each picture relies on negative space to convey its form (a notion upon which I could endlessly over-intellectualize, but for the sake of this review shall eschew), so each is primarily dark blocks punctuated by these pale outlines of figures contorting in all sorts of odd poses. The captions that run along with the cartoons are, for the most part, rather pedestrian in and of themselves, and are now so far removed from their original context that they have become either anachronistic or confusing.

And herein lies my conundrum. Were I to come across these cartoons out of the context of them being A) by Flannery O'Connor and B) collected in a hardbound book by Fantagraphics, I probably would look them over, give a solid "Hmmmm," nod to the artist for having the intestinal fortitude to put their art out there and then go about my day without giving them a second thought. Devoid of their context, these cartoons are relatively nondescript -- oddities at best.

But when I put them back into the context that these cartoons are A) by Flannery O'Connor and B) collected in a hardbound book by Fantagraphics, something else occurs. What happens in this context is that these serviceable little whatnots gather depth of meaning. Here are the early ejaculations from the primordial form of what was to become one of the great American writers. Here is Flannery O'Connor as she is formulating her unique vision of America and all that it entails. This context leads other reviewers to write things like "the cartoons reveal O'Connor as profoundly concerned with the emotionally fraught relationships between individuals and the institutions that both guide and constrict them" or "what's clear (in these cartoons) is the perspective of the outsider." Both of these reviewers sound like they know what they are talking about. They are able to unearth rather obtuse intellectual understandings from these linoleum prints and crash those concepts into nicely constructed sentences. And it all sounds like it means something, doesn't it?

But would they have done so in the absence of the context? Had these very cartoons been done by my grandmother for the Elmont Gazette and found in an old box in the attic, would these reviewers still wax so intellectually? Is it the work itself here that is being reviewed, or is it the context?

I don't know. I'm not smart enough to figure out these sorts of things.

What I do know is that I really enjoyed looking at Fantagraphics' Flannery O'Connor: The Cartoons, but I fear that experience occurred only because I am a fan of Flannery O'Connor. I would probably enjoy looking at copies of her handwritten grocery lists or the notes she took in the margins of her copy of The Great Gatsby (which I would REALLY like to see). So ultimately the question is, am I reviewing the work, or am I reviewing the context?

What value does Flannery O'Connor: The Cartoons have inherently? I think the answer to that question is entirely subjective. If you are a fan of O'Connor and interested in anything she may have produced in her far too brief of a career, then this book is right up your alley. If you're not, then I cannot imagine that this book will hold your interest for too long.

Still, regardless of any of this, I personally wish to thank Fantagraphics for going out on a limb and publishing this book, if for no other reason than to put Flannery O'Connor back into the pop culture discussion for however briefly it may be.

6 of 6 people found the following review helpful.
Wonderful.
By Erwin B Williamson
If you are a Southerner, you already know and love Flannery O'Connor - a unique if quirky American genius. If you are a Northerner you are already culturally-challenged and will be mystified by many of these images. Nonetheless, buy the book and broaden your horizons.

0 of 1 people found the following review helpful.
Faithfilled Images
By John
Intriguing, artful contemplation.

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[E537.Ebook] Free PDF In My Mother's House: Civil War in Sri Lanka (The Ethnography of Political Violence), by Sharika Thiranagama

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In My Mother's House: Civil War in Sri Lanka (The Ethnography of Political Violence), by Sharika Thiranagama

In My Mother's House: Civil War in Sri Lanka (The Ethnography of Political Violence), by Sharika Thiranagama



In My Mother's House: Civil War in Sri Lanka (The Ethnography of Political Violence), by Sharika Thiranagama

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In My Mother's House: Civil War in Sri Lanka (The Ethnography of Political Violence), by Sharika Thiranagama

In May 2009, the Sri Lankan army overwhelmed the last stronghold of the Liberation Tigers of Tamil Eelam—better known as the Tamil Tigers—officially bringing an end to nearly three decades of civil war. Although the war has ended, the place of minorities in Sri Lanka remains uncertain, not least because the lengthy conflict drove entire populations from their homes. The figures are jarring: for example, all of the roughly 80,000 Muslims in northern Sri Lanka were expelled from the Tamil Tiger-controlled north, and nearly half of all Sri Lankan Tamils were displaced during the course of the civil war.

Sharika Thiranagama's In My Mother's House provides ethnographic insight into two important groups of internally displaced people: northern Sri Lankan Tamils and Sri Lankan Muslims. Through detailed engagement with ordinary people struggling to find a home in the world, Thiranagama explores the dynamics within and between these two minority communities, describing how these relations were reshaped by violence, displacement, and authoritarianism. In doing so, she illuminates an often overlooked intraminority relationship and new social forms created through protracted war.

In My Mother's House revolves around three major themes: ideas of home in the midst of profound displacement; transformations of familial experience; and the impact of the political violence—carried out by both the Tamil Tigers and the Sri Lankan state—on ordinary lives and public speech. Her rare focus on the effects and responses to LTTE political regulation and violence demonstrates that envisioning a peaceful future for postconflict Sri Lanka requires taking stock of the new Tamil and Muslim identities forged by the civil war. These identities cannot simply be cast away with the end of the war but must be negotiated anew.

  • Sales Rank: #3522290 in Books
  • Published on: 2011-09-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.20" w x 6.10" l, 1.30 pounds
  • Binding: Hardcover
  • 320 pages

Review

"As an anthropologist, Thiranagama is interested in how uncontrollable eruptions of violence dislocate people's lives. . . . [In My Mother's House] leaves a profound sense of the victims' unfathomable losses."—Foreign Affairs



"The ethnographic In My Mother's House . . . places Sri Lanka's conflict in its right time-frame, bringing back into the discussion the history before 2009, and how the violence that people experienced over three decades changed lives and society forever."—The Hindu



"Through a series of deeply moving narratives, Thiranagama analyzes the multiplicity of Tamil identifications in Jaffna and brings stories of Muslims back into academic understandings of the war. Thiranagama has written a fantastic and fascinating first book."—Journal of Asian Studies

About the Author
Sharika Thiranagama teaches anthropology at Stanford University. She is coeditor of Traitors: Suspicion, Intimacy, and the Ethics of State-Building, also available from the University of Pennsylvania Press

Excerpt. © Reprinted by permission. All rights reserved.

Introduction: In My Mother's House

On 21 September 1989, my sister and I waited for our mother to come home from work to the temporary house we were renting at the time. We were living in the northern Jaffna peninsula, by then, already a war zone. We were half minority Tamil (my mother), half majority Sinhalese (my father), but brought up speaking Tamil. The years when our Sinhalese father lived in Jaffna with us, as opposed to our once or twice yearly trip to Colombo to see him, or when my Sinhalese grandmother and uncles would travel up to Jaffna to visit or to go on pilgrimage were becoming dim memories in our almost exclusively Tamil and Muslim world. For us, our world was Tamil-speaking Jaffna.

Without being quite conscious of it, we were becoming witness to immense changes. We had already become accustomed to running into bunkers when the Sri Lankan army bombed us in 1986, were used to the idea that there were places and people we should be careful of, were cognizant that there was one really big militant group called the "Tigers," and had some dim idea of other militant groups. We had seen the Indian army arrive, heard rumors of the rapes that accompanied their arrival, seen the disordering of our world as the Indians and the Tigers fought it out. I recall in art class at school, being asked to draw pictures of beaches with coconut trees, and farmers tending their fields with cows, images that no longer described our world. At home, I drew instead pictures of being in bunkers surrounded by my family with speech bubbles of the funny things that people said while helicopters hovered. My mother mounted that picture in her office at the university. I recall having an intensely happy childhood in the midst of this war.

My mother never came back home that 21 September; her journey was ended by LTTE assassins in front of the house. Her body returned like us to "our home," my ur, my grandparents' house and village where she and we had been born and had lived for most of our lives. This house is still standing in 2011, though scarred like all of us by war. My childhood ended. My sister and I left Sri Lanka for London with our father who came to get us, flying on 25 December 1989. On 26 December our new lives as refugees in London began.

This is how my journey back to Sri Lanka to conduct my research began, but it did not end there. This book is not about myself and my personal journey, but instead the stories of others, and the society to which I returned a stranger over a decade later. A society which presented in its strangeness to me, new questions about what had happened and was happening. I experienced the very real sensation that I, like many others abroad, lived in memories inadequate to the task of comprehending what had happened in Sri Lanka in the 1990s. The title of this book is of course a reference to Kwame Anthony Appiah's (1992) essay "In My Father's House," which recounts his return to Ghana for his father's funeral and the fraught family and community disputes that unfolded around the requests of the dead man. Lurking behind is the Bible, which he and I too were brought up with, and one of its most quoted statements: "in my father's house there are many rooms." This book is about returning to my mother's house, but through a glass darkly, for I have put away childish things indeed. The book, while about Sri Lanka's civil war, is more largely about war itself as "a social condition" (Lubkemann 2008).

The decades long Sri Lankan civil war was waged between the Sri Lankan state and most latterly the Tamil guerrilla group, the Liberation Tigers of Tamil Eelam (LTTE, also called the "Tamil Tigers"), who emerged supreme through the elimination of all other Tamil militant groups. While there has been punctuated ethnic conflict since Independence in 1948, most would agree that large-scale violence between "armies" in the northern and eastern minority areas became a more everyday reality in the mid-1980s. It is a war that has involved the destruction of physical and human infrastructures, the permanent displacement of hundreds of thousands of people, the pitting of majority against minority ethnic groups, and the rise of insurrectionary groups who have turned from "heroes" to oppressors.

In 2009, in the midst of writing, others and I put our lives—in my case this book—on hold. In May 2009, the Sri Lankan government announced that the civil war, which had spanned almost 30 years, had ended with the final defeat of the LTTE, arguably one of the most successful, multifaceted, and wealthy guerrilla organizations in the world. The end of the war was not a quiet one. From January to May 2009, in an ever-shrinking coastal strip in the northern Vanni region the Sri Lankan government bombarded the LTTE and more than 330,000 civilians with heavy weaponry, while denying their use. The LTTE in its turn, as the Sri Lankan army advanced through the north central areas under LTTE control, took civilians with them, leading them to their death by using them as human shields. Sri Lankan Tamils ran from the advancing army, which has never offered them an alternative to the LTTE. Moving from place to place, bunker to bunker, 280,000 to 330,000 of them ended up trapped with the LTTE. The LTTE stepped up its forced recruitment of civilians, and those who escaped tell of hiding in their bunkers, trying to protect their children from roaming LTTE cadres picking up new recruits (UTHR 2009a,b). When surrounded by the Sri Lankan army, the LTTE hid and fired among civilians, refusing to let them leave.

The Sri Lankan state continued its relentless shelling of areas it had declared safe zones for civilians as well as hospitals in the war zone.1 Escapees told the human rights group University Teachers for Human Rights-Jaffna
(UTHRJ) and news agencies such as Al Jazeera and the BBC in Tamil about the heavy shelling by the state, their desperate attempts to protect themselves in the face of constant bombardment and lack of food, water, and medicine, and their disgust with their so-called protectors, the LTTE, who were willing to sacrifice them (UTHR 2009b).2

Meanwhile, the Sri Lankan government banned journalists and independentobservers from these areas. Diasporic Tamils in Australia, Canada, and the United Kingdom mounted campaigns calling for the end of bombing by the Sri Lankan government. Increasingly, the LTTE abroad took over the management of those campaigns, and turned them into massed displays of LTTE flags and demands for the LTTE to be recognized and rescued by foreign governments. The gulf between internally displaced Sri Lankan Tamils in Sri Lanka and those in the diaspora who rallied around the LTTE was all too apparent to those of us who had done fieldwork in Sri Lanka. The support of expatriate Tamils for an increasingly delegitimized and violent LTTE meant that the protests became ineffective and the international community did not hold the Sri Lankan state to account and make it halt its use of heavy weaponry.
And so it went on. Every day in May brought more Tamil escapees from the LTTE areas carrying their elderly and children and wading through the lagoon to government-controlled territory. The events of the last days of battle and final defeat of the LTTE, especially the killing of its leader Prabhakaran, remain vague. It is unclear how the last leaders and their families died in the final days. It is rumored that they and their families were all executed by the state despite their surrender (see UTHR 2009a). The UN estimated that around 7,000 civilians may have died in these months, but this figure is in all probability conservative. After the end of the LTTE, the agony for those who survived did not end. The Sri Lankan government incarcerated 285,000 in sorely under-resourced and squalid mass camps for security clearance, not allowing them even to leave to meet family until December 2009, just before presidential elections. By mid-2010 around half had been released, but thousands still remain in camps. What happened to those taken out of camps for further questioning under suspicion of being LTTE remains a mystery. Areas where civilians once lived are now mined and scorched earth as the two armies advanced, retreated, and destroyed in their wake. The battle for hearts and minds of Tamil civilians was lost by the LTTE, and, sadly, remains the only battle the current Sri Lankan state is reluctant to initiate.

There is more to be said about these months, but I cannot say it in this book. I have no way of understanding fully what those thousands in the last war zone went through; I neither anticipated nor have privileged knowledge of the end. A book that began in the heart of the civil war somehow now tells its story from the other side of that protracted war. I have had to make the book again around a world made strange, with a new set of questions that now need to be asked.

The military war may have ended, but not the political one: the place of minorities in Sri Lanka still remains unsure. But the end of that war provides the fragile hope of new possibilities and parameters. It brings the possibility to reflect concretely on the specific social, cultural, and economic forms created in the decades of war. The accounts that will surely not survive the end of the war are those that, unlike this book, equated LTTE interests with those of the people it governed, and envisioned minority life through the pronouncements of the LTTE. The lives of Tamils and Muslims, and the complex ways people sought to live under and through the LTTE that I document here, may indeed point to why, despite many academic and Tamil nationalist claims to the contrary, when the LTTE collapsed militarily and its leader was killed it collapsed as a popular force in Sri Lanka.

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2 of 2 people found the following review helpful.
If you're interested in the Sri Lankan Civil War this book is an absolute must read.
By Joel Goldentyer
It's hard to capture my ambivalence about this book.

On the one hand, this is the work of a sharp, sophisticated, young anthropologist. She knows the Civil War in Sri Lanka intimately, and she has gathered material that is invaluable. You won't be able to find anything like it anywhere (on the fate of the Northern Muslims, for instance).

For those interested, her analyses are generally convincing and original ( i.e. on how events produce shifts in identity).

Her politics are primarily anti-LTTE, understandably since her mother was murdered by the Tigers. Even so, her politics are never simplistic, always allowing the reader to see the world from the perspective of individualized actors.

If, like me, you're a general reader, not confident of your grasp of the complex history of Sri Lanka, rest assured that Thiranagama provides enough background information.

What's frustrating about this book, is the unnecessary academic sludge which has been poured throughout the text, most of it very unhelpful. Have you ever spilled coffee on a book? It's sort of like that. Who really needs to be told that human relations are complex and filled with ambivalent emotions, sometimes repressed? And then, a bunch of references to authorities who have discussed the fact that things are complicated. Finally, the author begins to tell of her best friend's teenage relationship with an 'inappropriate' boy amidst fluctuating caste sentiments, but instead of developing what happened, the story is truncated with some academic reflections about displacement, etc.

To be fair, I suspect that the author sort of agrees with me, that she feels like she was forced to follow conventions she doesn't particularly care for. I picture some evil personified Anthropology (like the LTTE?) standing over her and ordering her to write in the approved fashion.

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