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Our Mothers, Our Powers, Our Texts: Manifestations of Àjé in Africana Literature (Blacks in the Diaspora), by Teresa N. Wash

Our Mothers, Our Powers, Our Texts: Manifestations of Àjé in Africana Literature (Blacks in the Diaspora), by Teresa N. Wash



Our Mothers, Our Powers, Our Texts: Manifestations of Àjé in Africana Literature (Blacks in the Diaspora), by Teresa N. Wash

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Our Mothers, Our Powers, Our Texts: Manifestations of Àjé in Africana Literature (Blacks in the Diaspora), by Teresa N. Wash

"Washington writes supple and thoughtful prose and creatively integrates African and African-derived terminology, which never distract the reader. I consider Our Mothers, Our Powers, Our Texts not only a brilliant study, but also a model to be emulated." —Ousseynou B. Traore, William Patterson University

�j� is a Yoruba word that signifies a spiritual power of vast potential, as well as the human beings who exercise that power. Although both men and women can have �j�, its owners and controllers are women, the literal and cosmic Mothers who are revered as the gods of society. Because of its association with female power, its invisibility and profundity, �j� is often misconstrued as witchcraft. However, as Teresa N. Washington points out in Our Mothers, Our Powers, Our Texts, �j� is central to the Yoruba ethos and cosmology. Not only does it underpin the concepts of creation and creativity, but as a force of justice and retribution, �j� is essential to social harmony and balance. As Africans were forced into exile and enslavement, they took �j� with them and continued its work of creating, destroying, harming, and healing in the New World.

Washington seeks out �j�’s subversive power of creation and re-creation in a diverse range of Africana texts, from both men and women, from both oral and contemporary literature, and across space and time. She guides readers to an understanding of the symbolic, methodological, and spiritual issues that are central to important works by Africana writers but are rarely elucidated by Western criticism. She begins with an examination of the ancient forms of �j� in Yoruba culture, which creates a framework for innovative readings of important works by Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This rich analysis will appeal to readers of Africana literature, African religion and philosophy, feminist studies, and comparative literature.

  • Sales Rank: #1531018 in Books
  • Published on: 2005-06-27
  • Released on: 2005-06-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .93" w x 6.12" l, 1.23 pounds
  • Binding: Paperback
  • 352 pages

Review

"Certainly readers will find new ideas here—surprising and illuminating readings that reveal the female protagonists' control of and by �j�.... Highly recommended." Choice" —Choice

(Choice)

"Washington (Kent State Univ.) provides a feminist but distinctly non—Western analysis of the Yoruba concept of �j� (Aje) and its appearance through a wide variety of Africana literature. In part 1, the author identifies �j� (Aje) both as a creative and life—giving power and as the people, usually women, who wield it. She lays out the place of �j� (Aje) in Yoruba cosmology: its revelation in the praise song �t�n—Or�k^d`i (Itan—Orik^d`i) and its passage in new forms, including hoodoo, to new lands through the African diaspora. In part 2, Washington interprets important Africana works as manifestations of �j� (Aje), showing particularly how displaced peoples of Africa have called on �j� (Aje) to combat or make sense of oppression based on race, politics, or gender. Washington argues that traditional readings of, for example, Toni Morrison's Beloved, Zora Neale Hurston's Their Eyes Were Watching God, and Gloria Naylor's Mama Day are based on inappropriate Western assumptions and values. Certainly readers will find new ideas here—surprising and illuminating readings that reveal the female protagonists' control of and by �j�. (Aje.) Summing Up: Highly recommended. Upper—division undergraduates through faculty. —Choice, Nov. 2006" —C. A. Bily, Adrian College

(C. A. Bily, Adrian College)

About the Author

Teresa N. Washington is Assistant Professor of English at Kent State University and lives in Stowe, Ohio.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Excellent Topic
By Ayoka Wiles
This a great piece of work for a topic that often goes untold. It is boh empowering for women and men. This book delves into womanhood in a powerful way that is designed for a spiritual and scholarly discourse. The use of literature which one of the most powerful storytelling tools illustrates Yoruba history and spirituality that contextulizes the experience of Africans in the diaspora.

1 of 1 people found the following review helpful.
This aint no frilly girly book about novels! She brings the Power in this one!
By High Priestess
I looked at this book for years passing it by because it seemed to be more about woman's literature as it relates to stories than the powerful aspects of power in African Women. I was completely floored at the level of information and research that was put into this book. Its no frilly girly book! She brings the restoration of African women in her powerful essays and exploration of Iyami Aje... and the powerful forces of nature that lay the foundation of life on the planet. I completely love it. I originally bought it in eBook but I am now getting a hardback for my permanent collection. Ase!

1 of 1 people found the following review helpful.
Excellent exploration of concepts of female power in Yoruba cosmology
By Arisika Razak
Excellent exploration of concepts of female power in Yoruba cosmology. Integrates this with review of how these concepts are manifested in the literary work of women of the Diaspora. Deep, masterful, theoretical and applied

See all 12 customer reviews...

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