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Providing insight into the impact media convergence has had on the radio industry, this new edition delivers an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work.

New chapters addressing the basics of field recording, production planning, and sound for video are included, as well as a renewed emphasis on not just radio production, but audio production.

Featuring a worktext format tailored for both students and teachers, self-study questions, hands-on projects, and a CD with project material, quizzes, and demonstrations of key concepts, this book offers a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.

• Sales Rank: #1070068 in Books
• Published on: 2009-01-26
• Original language: English
• Number of items: 1
• Dimensions: .70" h x 8.40" w x 10.70" l, 1.70 pounds
• Binding: Paperback
• 280 pages

About the Author
David E. Reese is General Manager of KUNV radio and Affiliate Assistant Professor in the Greenspun School of Journalism and Media Studies in the College of Urban Affairs at the University of Nevada, Las Vegas (UNLV). Previously he was Adjunct Professor and Director of WJCU at John Carroll University, Cleveland, Ohio. Prior to entering the academic field he worked in commercial radio in positions ranging from announcer to account executive to general manager. He is the author of many articles on college radio and, with Professor Lynne S. Gross, author of Radio Production Worktext (Focal Press).
Dr. Lynne S. Gross has taught radio and television production at a number of universities in both the United States and abroad. She has published 11 books and numerous articles which have appeared in Billboard, Radio Ink, Feedback and the Journal of College Radio. Dr. Gross has served as President of the Broadcast Education Association and was awarded its Distinguished Education Service Award in 1997. Professionally, she worked as Director of Programming for Valley Cable TV and has produced hundreds of radio and television programs.
Brian Gross, MFA, is a multimedia and Internet developer, critically-acclaimed composer, visual artist and published writer. He has been a Professor in the Radio, Television and Film, as well as the Communications departments at California State University at Fullerton, and has developed community-based initiatives to reach at-risk youth through new media. His work has been featured in galleries, performance venues and on radio throughout the United States and Europe.
David E. Reese is General Manager of KUNV radio and Affiliate Assistant Professor in the Greenspun School of Journalism and Media Studies in the College of Urban Affairs at the University of Nevada, Las Vegas (UNLV). Previously he was Adjunct Professor and Director of WJCU at John Carroll University, Cleveland, Ohio. Prior to entering the academic field he worked in commercial radio in positions ranging from announcer to account executive to general manager. He is the author of many articles on college radio and, with Professor Lynne S. Gross, author of Radio Production Worktext (Focal Press).
Dr. Lynne S. Gross has taught radio and television production at a number of universities in both the United States and abroad. She has published 11 books and numerous articles which have appeared in Billboard, Radio Ink, Feedback and the Journal of College Radio. Dr. Gross has served as President of the Broadcast Education Association and was awarded its Distinguished Education Service Award in 1997. Professionally, she worked as Director of Programming for Valley Cable TV and has produced hundreds of radio and television programs.
Brian Gross, MFA, is a multimedia and Internet developer, critically-acclaimed composer, visual artist and published writer. He has been a Professor in the Radio, Television and Film, as well as the Communications departments at California State University at Fullerton, and has developed community-based initiatives to reach at-risk youth through new media. His work has been featured in galleries, performance venues and on radio throughout the United States and Europe.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Always liked it
By Professional Strong Man
I have used the 6th edition and 4th edition of this book in previous audio production classes and have found it to be the best basic audio production book since the old O'Donnell "Modern Radio Production" went out of print. Its good for learning more about basic production skills and the enclosed CD provides a lot of good samples and exercises.

About the only hangup is that the book is quite dated, particularly in the chapters on new tech and internet production - but its not a killer short-coming. If anything, the examples of web sites and editing software show the book's age, but that's it. Everything else in here is top-notch.

The good news - a seventh edition is planned for publication sometime in 2013 - so these shortcomings should be corrected. That's a good thing, because it will just make a very strong book even better.

2 of 3 people found the following review helpful.
A Good Introductory Text
By M. Krieger
Selecting a text for an undergraduate audio production class is a dicey proposition. There are a limited number in print, and some are commercial-focused, while other skew towards documentary, video, or music. Technical scope is another issue. Some read like pure technology primers while others simply skip over the physics smarts one needs to understand why audio tools work the way they do. And currency is always an issue, so regular updates are a must.

Whether someone creates content for broadcast, web, or power point presentations, good AV skills are an essential communication competency. This book works well in providing an up-to-date generalist's guide
to producing decent quality audio. It also includes key topics like copyright and ethics, which are useful in making the point to novices that just because you CAN do something doesn't mean its OK to do so.

The self tests and step-by-step exercises are useful in reinforcing concepts by matching them with ears-on learning. An enclosed CD lets anyone with a pc and speakers begin to make the kinds of intellectual and auditory correlations needed to make a lasting impression.

As someone who teaches audio at the undergraduate level, I've used several texts over the last 4 years, and am pleased (and relieved) to say that the 6th edition of APW is the book I'll be moving on to in the coming academic year.

0 of 0 people found the following review helpful.
Five Stars
By Rosemary Nyaole-Kowuor
Quite relevant and practical. The review questions are helpful.

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• Original language: French
• Number of items: 1
• Dimensions: 4.13" h x .91" w x 6.89" l,
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• Sales Rank: #5556341 in Books
• Published on: 2009
• Binding: Spiral-bound

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• Sales Rank: #5634993 in Books
• Published on: 2012-05-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .16" w x 5.50" l, .20 pounds
• Binding: Paperback
• 64 pages

About the Author
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0 of 0 people found the following review helpful.
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By Encouraged
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Walking By Faith and Not By Sight: Trusting God When Life Does Not...
By LG
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In Jesus Christ, you are a “son of God.” This is not New Age teaching, but is proclaimed through God’s Word. Christ made this reality possible as the first-fruit of creation. Jesus is the Firstborn, from the dead, of many sons. He opened the way for us to be the “sons of God.”

As Christ’s disciples, men and women are God’s children and brothers of Christ. Whether man or woman, we are all “sons of God”(Gal. 3.26; Rom. 8.14). Being a “son of God” is a glorious truth!

David Alves illustrates how God has worked in his life and can work in yours. Fully referenced with scripture, Alves outlines a seven-point checklist to facilitate spiritual maturity in you. By assimilating the checklist, you can adopt the right mental and heart environment to become all that God has called you to be. You’ll also experience God’s deep and abiding love and discover how being a “son of God” affects your life today and determines your future.

Sprinkled with anecdotes, We’re the “sons of God”…So What? explores the perplexities Christians experience in life. With diligent discipleship, you will find comfort and guidance in the Bible and move higher toward your heavenly calling.

• Sales Rank: #1036059 in eBooks
• Published on: 2011-01-29
• Released on: 2011-01-29
• Format: Kindle eBook

Review
I have read hundreds (probably more than 1,000) books on the broad category of "Christianity" in the past 40 years, but I would have to say that this one stands out as unique among them in its topic, range and appeal. --Dr. John Roller

From the Author
I believe that this book holds tremendous potential for the diligent disciple. To motivate you to move higher toward your heavenly calling. To provide you with a vision of what lies ahead. To help men and women, boys and girls to understand the root causes of and cures for ineffective living. That's why this book came into being. And because your heavenly Father deeply desires for you to know his heart for you, his plan for your future.

May the Lord reveal this marvelous truth to your heart and mind so that you can know the love that surpasses knowledge.

From the Inside Flap
In Christ, you are a "son of God." This is not New Age teaching, but is proclaimed through God's Word. Christ made this reality possible as the first-fruit of creation.�
Jesus is the Firstborn, from the dead, of many sons. He opened the way for us to be the "sons of God." As Christ's disciples, men and women are God's children and brothers of Christ. Whether man or woman, we are all "sons of God" (Gal. 3.26; Rom. 8.14). Being a "son of God" is a glorious truth!�
David Alves illustrates how God has worked in his life and can work in yours. Fully referenced with scripture, Alves outlines a seven-point checklist to facilitate spiritual maturity in you. By assimilating the checklist, you can adopt the right mental and heart environment to become all that God has called you to be. You'll also experience God's deep and abiding love and discover how being a "son of God" affects your life today and determines your future.�
Sprinkled with anecdotes, We're the "sons of God". . .So What? explores the perplexities Christians experience in life. With diligent discipleship, you will find comfort and guidance in the Bible and move higher toward your heavenly calling.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Great book that will uplift all who read it
By Kindle Customer
David has written a book that the 21st century church needs. The church needs to focus on what Jesus has to say to those who claim Him as savior. I plan to read this again and again. Thank you Dr.Alves for an uplifting and much needed study on what it really means to be "sons of God"

2 of 2 people found the following review helpful.
A Unique and Excellent Book (and an easy read, at that!)
By John H. Roller
"We're the 'sons of God' . . . So What?" (by Dr. David C. Alves) fills an important gap in the 21st-century Christian library. From a position that includes both theological expertise and thorough personal experience, Dr. Alves carefully expounds the thesis of John 1:12 ("as many as received him, to them gave he power to become the sons of God...") - while simultaneously and systematically demolishing the negative self-image that many Christians have inherited from an obsolete form of theology that sought to convince us that we were mere beggars, slaves or "worms."

The book's subtitle encourages the reader (assumed to be a Christian) to "Believe God About Who You Really Are!" So, this is not a dry dissertation on the "biblical subject" of "divine sonship" (the book includes a brief "dissertation" on that "subject," but it is by no means "dry")! It is, rather, a practical exposition of how this important theme relates to daily Christian living on a range of very real and personal levels - from spiritual disciplines to sensible diets.

I have read hundreds (probably more than 1,000) books on the broad category of "Christianity" in the past 40 years, but I would have to say that this one stands out as unique among them in its topic, range and appeal. I highly recommend it! You can get a copy at many major outlets, include Amazon.com and Barnes & Noble.

Dr. John H. Roller, Pastor

Barbour's Chapel Advent Christian Church

Four Oaks, North Carolina

2 of 2 people found the following review helpful.
A MUST read for anyone who wants to go deeper with Abba!
By J. Stewart
I'm not a PHD, and don't have any other titles in front of or behind my name (none worth repeating anyway) - but I have been a believer for 25 years. This book by David C. Alves was life changing. To get in your head the perspective that we are the sons of God and not just these terrible people that God decided He'd save - is life changing. All through church and growing up as a Christian, there was always "you're bad, God is good, try harder"... To consider that we were orphans, not even aware of our desperate need for Him, and that He loved us SOOO much even when we were in a sinful state - changes everything.It increases my awareness of grace, peace, and even how I look at God,the Father to the fatherless. I was moved to the point of tears considering all of this. The Lord prompted my wife and I to adopt a little boy, through speaking to my heart through David's book. I believe that this book will not only be a blessing, but will change your life - if you ask the Lord to let it before you begin reading!

God Bless you all!

J. Stewart

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[Z234.Ebook] Download PDF Amberwell, by D.E. Stevenson

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Amberwell, by D.E. Stevenson

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It was dark when Nell Ayrton got to Carlisle.

There had been a raid in the Midlands and the station was blacked-out and in chaos.

Nell ran wildly from one side of the enormous station to the other, despair clutching at her heart.

How on earth was she to find an unknown woman in the milling crowds? And would she have Roger’s baby safely tucked away with her?

Nell is just one of the Aryton’s in trouble as the Second World War looms.

Amberwell, an estate on the west coast of Scotland, has been in the Ayrton family for several generations... descending from father to son in an unbroken line.

By family tradition, each new owner was to add to the amenities of the place and in this way Amberwell grew larger and more beautiful as the years went by, endowed with gardens and terraces and orchards.

The five young Ayrtons who grew up at Amberwell have now ventured out into the world.

They may have been brought up by cool, distant parents, but the bonds between these children are strong.

Now they must fight to hold on to what they see dear as the threat of war emerges.

Will the war drastically alter their destinies?

What will become of the Amberwell children, their complex relationships, and the place they call home ...?


“Consistently charming” The Times 


“D. E. Stevenson shows a warm, human understanding … in this delicately written tale of family life.” Birmingham Mail

“A delightful story” Edinburgh Evening News



D. E. Stevenson (1892–1973), Dorothy Emily Peploe (married name) was a Scottish author of more than 40 light romantic novels. Her father was the lighthouse engineer David Alan Stevenson, first cousin to the author Robert Louis Stevenson. 



Endeavour Press is the UK’s leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

• Sales Rank: #27850 in eBooks
• Published on: 2015-10-13
• Released on: 2015-10-13
• Format: Kindle eBook

Most helpful customer reviews

18 of 18 people found the following review helpful.
A Wonderful Story
By Cyberlucy
My mother gave me her copies of "Amberwell" and "Summerhills", its sequel, and I enjoyed them emensely. While this book was labled on the cover "A Romance", it is a more a family story (and a dysfunctional family at that). Stevenson looks for the positve in everything and inspires the reader to do the same. The children in the Ayrton family are survivors. They are able to rise above it all despite what WW II does to the family and the family home of Amberwell which they all come to love and cherish.
While the books center around the Ayrton family of Lowland Scotland, it is actually more about all the people who live on the Amberwell estate ( and the surrounding district), servant as well as master. The war breaks down the class barrier and brings everyone together as a unit to preserve the home that they all love and to help build the school that they would eventually call Summerhills. It is a joy to read. I would also recommend "Celia's House" and "Listening Valley".

15 of 16 people found the following review helpful.
Another Scots Gem by DEStevenson
By Amazon Customer
Another lovely Scottish novel by D. E. Stevenson released for Kindle by Endeavour Press! Amberwell, on the protected south west coast area of Scotland is a delightful property, home of the Ayrton family. We watch the 5 children born between WWI and WWII grow up and enter the world, with special focus on the happenings during WWII. The three sisters and two brothers also have to learn to deal with their difficult parents. The atmosphere and background of Scotland is almost another character. By the end of the book, the reader will be ready for more about the Ayrtons and if Endeavour releases Summerhills soon, the reader can continue the history of this family. An enjoyable read.

10 of 10 people found the following review helpful.
Wonderfully written!
By Rachel Shields (reshields@imailbox.com)
I love the way this book is written--so simple and sweet with vivid, but not flowery or wordy, pictures and descriptions. It gives the reader a look into life on a Scottish estate, not focusing too much on any one character, but letting us have a close glimpse of each of the five children as they grow up. It is a "real" story--life happens naturally, not with too much melodrama. I recommend it for any audience.

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[Q710.Ebook] Ebook Download Anatomy for the Artist, by Jeno Barcsay

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Anatomy for the Artist, by Jeno Barcsay

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Professor Barcsay (1900-1988), who taught applied anatomy at the Budapest Academy of Fine Arts, offers a detailed portrayal of the human body for the fine artist in 142 full-page plates, illustrating magnificently a subject that has fascinated artists for centuries. It contains anatomical terms, details of the skeleton, joints, form and function of muscles, bones of the upper limb, joints and movements of the bones of the upper limb, the form of the arm in general, muscles of the upper limb, muscular system of the upper limb and its function, similarly for the lower limb the trunk plus muscles of the neck, the neck in movement, the bones of the skull, connections and movements of the skull bones, the facial angle, articulations and movements of the spinal column and the skull, muscles of the head, eye, mouth, nose and ear, proportion of the parts of the body, osseous and muscular system of the human body, proportional differences of the male and female body, female breast, the centre of gravity, contrapposto, movements, simple delineations of movements.

• Sales Rank: #1517132 in Books
• Brand: Brand: Octopus Books
• Published on: 1979-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 320 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
I bought this book origionally in college 45 years ago ...
By margie irvin
I bought this book origionally in college 45 years ago. It's been lost and refuses to show. The book I recieved is identical and I'm thrilled to have my reference book back! Thank you

0 of 0 people found the following review helpful.
Far and away the best anatomy book for artists ever
By Circus Behavior
Far and away the best anatomy book for artists ever. I have used it for decades to teach students how to draw the human figure and promise them that if they copy just One Page every day, by the time they reach a quarter through the book, they will be able to look at anyone and draw them believably. It's always proved true and they're always surprised at how quickly they learn. Excellent drawings and configurations to understand the relationship between movable parts of the figure.

0 of 0 people found the following review helpful.
Anatomy for the Artist
By alphanathan
Every artist needs a complete book of anatomy, and this is one choice. There could be better examples in it of the human head, and foreshortening. It would make a good complement to 'Drawing the Head and Figure', by Jack Hamm, which is a simpler book.

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[J423.Ebook] Fee Download HACCP: Principles and Applications, by Merle D. Pierson

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The Institute of Food Technologists (1FT) sponsors each year a two-day short course that covers a topic of major importance to the food industry. "Hazard Analysis and Critical Control Points" was the title for the short course which was held May 31-June 1, 1991, immediately prior to the 51st Annual 1FT Meeting. These short courses have been published as a proceedings in previous years; however, the current and future importance of the Hazard Analysis and Critical Control Point (HACCP) system prompted publication of the 1991 short course as a book. This book is designed to serve as a reference on the principles and application of HACCP for those in quality control/assurance, technical man� agement, education and related areas who are responsible for food safety man� agement. The National Advisory Committee on Microbiological Criteria for Foods (NACMCF) published in November 1989 a pamphlet titled "HACCP Principles for Food Production" (Appendix A). This document dealt with HACCP as applied to the microbiological safety of foods; however, the principles can be modified to apply to chemical, physical and other hazards in foods. The principles rec� ommended by the NACMCF have been widely recognized and adopted by the food industry and regulatory agencies. Implementation of these principles pro� vides a proactive, preventive system for managing food safety. HACCP should be applied at all stages of the food system, from production to consumption.

• Sales Rank: #12316624 in Books
• Brand: Brand: Springer
• Published on: 1995-12-31
• Released on: 1995-12-31
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .52" w x 6.10" l, .72 pounds
• Binding: Paperback
• 212 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
Nice Blue Book
By A Customer
This book is very concise yet so informative. The content is easy to understand and it guides step by step on the process of setting up the HACCP in place. However, the examples are as in the other books such as meat products, seafood and poultry.. how about the products such as baking products, confectionary products and cocoa products.
Nevertheless, this book is worth to be in your library collection.

1 of 1 people found the following review helpful.
Don't miss this HACCP guide!
By A Customer
Finally, a user-friendly, carefully written manual on the HACCP system. To find nore information on this book, I discovered many positive and informative reviews of it online, such as the one at QualityCoach.net ([...] I highly recommend this manual to anyone responsible for Quality Assurance and food safety in their company and would also suggest you look into Dr. Corlett's courses on implementing the HACCP system in companies big and small. When I contacted Dr. Corlett (dcorlett@value.net) he responded with a prompt and professional reply. Thumbs up!!
--Valentino Lolo

0 of 0 people found the following review helpful.
Five Stars
By James D Madsen
Great book for anyone wanting to understand HACCP. Shipped Promptly.

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[U630.Ebook] PDF Download How Buildings Learn: What Happens After They're Built, by Stewart Brand

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Buildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time.

From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth—this is a far-ranging survey of unexplored essential territory.

More than any other human artifacts, buildings improve with time—if they're allowed to. How Buildings Learn shows how to work with time rather than against it.

• Sales Rank: #80785 in Books
• Brand: Brand, Stewart
• Published on: 1995-10-01
• Released on: 1995-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.77" h x .65" w x 8.39" l, 1.79 pounds
• Binding: Paperback
• 252 pages

From Publishers Weekly
All buildings are forced to adapt over time because of physical deterioration, changing surroundings and the life within--yet very few buildings adapt gracefully, according to Brand. Houses, he notes, respond to families' tastes, ideas, annoyance and growth; and institutional buildings change with expensive reluctance and delay; while commercial structures have to adapt quickly because of intense competitive pressures. Creator of The Whole Earth Catalog and founder of CoEvolution Quarterly (now Whole Earth Review ), Brand splices a conversational text with hundreds of extensively captioned photographs and drawings juxtaposing buildings that age well with those that age poorly. He buttresses his critique with insights gleaned from facilities managers, planners, preservationists, building historians and futurists. This informative, innovative handbook sets forth a strategy for constructing adaptive buildings that incorporates a conservationist approach to design, use of traditional materials, attention to local vernacular styles and budgeting to allow for continuous adjustment and maintenance.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
Brand founder of The Whole Earth Catalog and CoEvolution Quarterly, launches a populist attack on rarefied architectural conventions. A hippy elder statesman (once one of Ken Kesey's Merry Pranksters), Brand argues that a building can ``grow'' and should be treated as a ``Darwinian mechanism,'' something that adapts over time to meet certain changing needs. His humanistic insights grew out of a university seminar he taught in 1988. Catchy anti- establishment phrases abound: ``Function reforms form, perpetually,'' or ``Form follows funding.'' Thomas Jefferson, a ``high road'' builder, is shown to have tinkered his Monticello into a masterpiece over a lifetime. Commercial structures, Brand says, are ``forever metamorphic,'' as a garage-turned-boutique demonstrates. Photo spreads with smart and chatty captions trace the evolutions of buildings as they adopt new ``skins.'' Pointedly, architects Sir Richard Rogers (designer of the Pompidou Centre in Paris) and I.M. Pei (the Wiesner Building, aka the Media Lab at MIT) are taken to task for designing monumental flops that deny occupants' needs. Later sections track the social meanings of preservationism and celebrate vernacular traditions worldwide (e.g., the Malay house of Malaysia; pueblo architecture; the 18th- century Cape Cod House). Brand also documents his own unique habitats. He lives with his wife in a converted tugboat and houses his library in a metal self-storage container. Here, as throughout, Brand's self-reliant voice rings true--that of an engaging, intellectual crank. Brand makes a case for letting people shape their own environments. His crunchy-granola insights bristle with an undeniable pragmatism. -- Copyright �1994, Kirkus Associates, LP. All rights reserved.

Review
"It's about time somebody wrote this book. This quirky, thoughtful volume, bursting with curiosity and intelligence, may make our everyday world more visible to more Americans. Architecture is too important to be left to architects alone."
—Mixed Media

"A stunning exploration of the design of design … How Buildings Learn will irrevocably alter yor sense of place, space, and the artifacts that shape them."
—Michael Shrage, Wired

"Penetratingly original."
—Philip Morrison, Scientific American

"An extremely attractive volume that will forever alter the way we respond to the buildings around us. We may also hope it will alter the way architects design buildings."
—Harold Gilliam, San Francisco Chronicle

"A fascinating and indefinable book … How Buildings Learn is a hymn to entropy, a witty, heterodox book dedicated to kicking the stuffing out of the proposition that architecture is permanent and that buildings cannot adapt."
—Stephen Bayley, The Times (London)

"The book's diagnosis is clear and to the poiny, and its illustrations of how buildings change are both fascinating and instructive. This is, in short, one of the rare books that every architect should read."
—Thomas Fisher, editor, Progressive Architecture

"A book of good sound-bites and laser-sharp insight … No architecture students should complete their preliminary studies without reading it from cover to cover."
—Patric Hannay, The Architects' Journal

Most helpful customer reviews

53 of 55 people found the following review helpful.
excellent, thought-provoking, calm
By Greg Wilson (gvwilson@interlog.com)
I've hesitated to review this book because I'm personally suspicious of glowing praise. However, this book deserves it. Brand's starting point is the observation that most architects spend most of their time re-working or extending existing buildings, rather than creating new ones from scratch, but the subject of how buildings change (or, to adopt Brand's metaphor, how buildings learn from their use and environment) is ignored by most architectural schools and theorists. By looking at examples (big and small, ancient and modern), Brand teases out patterns of re-use and change, and argues (very convincingly) that since buildings are going to be modified many times, they should be designed with unanticipated future changes in mind. Of course, the same is true of programs, and I found again and again that I could substitute the word "program" for "building", and "programmer" for "architect", everything Brand said was true of computing as well (but much better written than any software engineering polemic I've ever read).

30 of 30 people found the following review helpful.
This Book Effectively Merges Technology with Preservation
By Kiwibird
Stewart Brand's How Buildings Learn: What happens after they're built is as much a reflection of his life as it is about architecture. This potent clearly written essay provides valuable insights for a wider ranging audience while poking fun at established norms in the information age. Depreciatory of modernism casting doubt on the success of popular monuments paying homage to their creators, Brand does not limit his criticism of Wright for Falling Water in southwestern Pennsylvania or I.M. Pei's Media Lab Building at MIT. The strength of the book is the candid and thoughtful approach, interrelating complex issues with simple strands. Weaving a tale of old stuff in a new world, Brand proposes that buildings are most useful to their occupants and neighbors when they adapt. He assures that change will happen and that the only enduring monuments are those that can transform with time. Brand relies on a variety of primary and secondary sources and reinforces his examples with candid photographs, often visually comparing and contrasting to make his points. For each of these archetypes he tests the building against its function to perform basic living needs. He candidly makes observations without concern for political correctness within the broader architectural community.
Proposing six shear levels within a building based on their ability to temporally adapt, How Buildings Learn uses Site, Structure, Skin, Services, Space, and Stuff as a highly successful outline in delivering its message (p. 13). One source attributes this paradigm to that developed by British architect and historian F. Duffy's "Four S's" of capital investment in buildings. The site is eternal, yet often ignored by architects. The structure is most permanent defining the form and lasting 30 to 300 years. The skin is the part the architects get to play with. The services change every 10 to 15 years and, for ease of adaptation, should be kept separate to allow slippage from structure. The space (interior partition and pedestrian flow) and people's stuff change continually at the will of the occupants. After defining these layers, Brand then maps how buildings acclimatize over time based on their architecture.
The architecture is divided into three paths: low road, high road, and monumental. As a counter-culturalist, Brand observations should surprise no one that those dysfunctional places revered by society adapt the worse while despised "low visibility, low-rent, no-style" structures are functional, cost effective, and adapt easily to change. Contrasting the "temporary" World War II government warehouse Building 20 at MIT to I.M. Pei's Media Lab on the same campus, Brand illustrates his points with human testimonies and photographs. Though scheduled for demolition a number of times over the decades, Building 20's adaptable character has resisted. On the contrary, it appears the only forces retaining the overly designed and dysfunctional Media Lab are economic and social: the millions of dollars expended for its construction and the people that approved the funding for a monument to its designer. High Road buildings are high maintenance, described by Brand as a "labor of love measured in lifetimes." Citing original work by the Duchess of Devonshire, he attributes the character of these buildings to "high intent, duration of purpose, and a steady supply of confident dictators" (p. 35).
Unlike Low Road buildings that demonstrate value through utility, or High Road buildings that endure for their beauty and majesty, the worst buildings for adaptation are Famous buildings. For this arena, Brand has a target-rich environment. One book reviewer describes these buildings as "ignoring time, while time does not reciprocate." Because of its leaky roofs, Falling Water becomes, "Rising Mildew" and a "seven-bucket building" (p 58.) Famous buildings cannot adapt. They either exist as monuments to their creators, requiring significant investment to preserve, or as relics on the landscape succumbing to the forces of nature disintegrating into the landscape upon which they sit. Brand applied a similar logical approach to contrast exposed building elements. The Eiffel Tower, though despised by the locals at its inception, now stands as a monumental icon to the technical advances of the early twentieth century. The structure is beautiful in the nude. On the contrary, the exposed systems on the twenty-first century Pompidou Centre - originally celebrated for innovation and creativity - are now rusted and cracked. Without intervention, Famous buildings are destined to return to the landscape from which they were created.
How Buildings Learn mirrors Brand's interest in preservation and high technology. While one might interpret preservation and modern construction materials as diametrically opposed disciplines, Brand alleys these concerns. The chapters on Preservation and Maintenance allude to the desirable attributes of quiet, populist, victorious, and romantic. The space materials create environmental stewardship through their speed, efficiency, strength and effortless implementation. Traditional or "vernacular" materials will be touchable and aesthetic but come at a higher price. Smart materials, created from advanced processes, are cheaper and may provide the economic incentive to preserve an old building that might otherwise succumb to the financial pressures created by vernacular restoration. Brand suggests that future buildings will learn more quickly. He uses computer advances in sensory and motor response as metaphors; however, does not suggest to what part of his six "S's" illustration this prediction relates.
As a matter of fact, Stewart Brand has a history of predicting technical change and has built a contrarian consulting organization around this ability. Unlike most management consultants, yet consistent with How Building Learn, Brand helps companies adapt - designing for impending change instead of planning for a strategic future outcome. As Fortune magazine paraphrased him, "If mind-boggling change is the only constant, focusing on the avoidance of major blunders yields better results than the single-minded pursuit of the big win."

1 of 1 people found the following review helpful.
Great insight for architects
By john elliott
As a graduate architecture student i can honestly say this book and insight have shaped the way I think about buildings and the projects I work. The different mindset the author presents in this book really can change the built enviorment we work and live in.

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Volume 2 of Princeton University studies in papyrology.

Originally published in 1938.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

• Sales Rank: #2354124 in Books
• Published on: 2015-12-08
• Released on: 2015-12-08
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.19" w x 5.25" l, .0 pounds
• Binding: Paperback
• 526 pages

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